其实上个月我没有感冒过，
这个月也没有。

阿斌兴高采烈的在那回味大学时代兄弟如手足老婆如衣服的细节，被李总一下打断：所以我喊我女儿不要嫁北方男人，特别是东北的！还好北方的都没坐我们那桌，不然自信心又要被强烈打击，云贵川本一家嘛，这下办公室说重庆话大家都听得懂了……不过我老是觉得李总的形象很像倚天屠龙记里面那个少林火工头陀，特别是发型，好奔放啊！比我的都奔放！

昨天晚上睡得不错，是一个多月以来睡得最安稳的一次，起床的时候全身都舒
坦啊，将醒的时候却做了一个悲伤的梦，我们刻画在课桌上的字迹，被砸碎，
凹陷，消失，我不会被噩梦惊醒，但是我却会为悲伤的梦流泪。

吃完一斤半水饺，三十块钱的开心果，九十克牛肉干，突然发觉这顿饭已经花费超过五十，真奢侈，是不是吃得太多了，怎么不觉得饱呢。

我想是吃多了点，倒在地板上睡了不知多久被冷醒了，头痛欲裂，喝一大杯开水，好多了。

终于明白为什么<最高机密>里面那个希腊美女让我念念不忘，因为它是唯一没有和零零七上床的邦女郎！For your eyes only，一语双关得太绝妙。

其实我跟有些人一样，喜欢那首<我的太阳>，特别是三大男高音联唱的版本。

MODENA, Italy, Sept. 8 — Luciano Pavarotti, the Italian tenor, was eulogized on Saturday as a “great artist” with “a profound sense of humanity” in the same cathedral where he once sang in the children’s choir.
During a musical career that spanned nearly 50 years, Mr. Pavarotti bridged highbrow and pop culture. He died near here on Thursday at 71 after a yearlong battle with pancreatic cancer.
The celebrity guest list at the funeral on Saturday reflected the diverse worlds straddled by Mr. Pavarotti, who was distinguished as much by his powerful voice as by his boyish charm.
In the pews of Modena’s 12th-century Romanesque cathedral sat Franco Zeffirelli, who directed Mr. Pavarotti in Puccini’s “Tosca” at the Metropolitan Opera in 1985; Joseph Volpe, the Met’s former general manager; Bono, the lead singer of U2; and the Italian rock stars Zucchero Fornaciari and Jovanotti. Political leaders included Romano Prodi, Italy’s prime minister; Kofi Annan, the former United Nations secretary general; and two Italian government ministers.
“For years, many famous but also common people were united by his voice,” said Mr. Prodi, who called the tenor “a messenger of peace and fraternity.”
All of Italy grieves for the singer, said Mr. Prodi, “but we are proud of him.”
In a message of condolence, Pope Benedict XVI said the artist had “honored the divine gift of music through his extraordinary interpretive talent.”
Visibly moved, Raina Kabaivanska, a soprano and longtime friend and sometime co-star, opened the ceremony with the “Ave Maria” prayer from Verdi’s “Otello.” Andrea Bocelli, another tenor who has enjoyed crossover success, later sang Mozart’s “Ave Verum Corpus.”
Outside the church, thousands of people watched the proceedings on two large screens and applauded at the end of each aria.
The Corale Rossini, the local choir in which Mr. Pavarotti sang in the 1950s, accompanied the entrance of the 18 celebrants and other hymns during the 90-minute Mass. Personal reflections from his widow, Nicoletta Mantovani, her daughter and his daughters from his first marriage, to Adua Veroni, were read.
Near the end of the ceremony, Mr. Pavarotti’s distinctive voice, which captivated millions of passionate fans, rang out in a 1978 recording of César Franck’s “Panis Angelicus,” a duet with his father, Fernando, a tenor who first instilled a love of music in his son.
It was followed by a standing ovation and long applause both inside and outside the cathedral.
As his coffin emerged from the cathedral to more applause and the strains of “Nessun Dorma,” the Puccini “Turandot” aria that was Mr. Pavarotti’s signature piece, Italy’s aerobatics squadron flew over twice, leaving a stream of red, white and green smoke, the colors of the Italian flag.
During three days of mourning, his love for this city was amply returned by its residents.
“The maestro was, and will always remain, a symbol of our city,” said Archbishop Benito Cocchi in the eulogy, which also recalled the tenor’s charity work in many “initiatives of great social value.”
Beginning Thursday evening, more than 100,000 residents and others came to the cathedral to pay their respects to the tenor, who lay in a white maple coffin lined in dark red velvet, dressed in a black tuxedo. He clutched a silver rosary and his trademark white silk scarf.
After the funeral, Mr. Pavarotti’s body was taken to the Montale Rangone cemetery, where he was buried in a private ceremony next to his parents and a stillborn son.
“He was more than just a voice,” said one local resident, Milena Montecchi. “He had charisma. There are plenty of good singers. He had something more.”
Copyright 2006 The New York Times Company